Category Archives: Production Tips

Mixing against Sea Horizon

If you mix, think of your sounds in three levels like the view on the sea:

  1. Under the water
  2. Horizon
  3. Above the watter

For example in Drum & Bass you want:

  1. Hihats under the water
  2. Kick and breaks snare on horizon
  3. Vocals above the water



Arrangement Idea – Let Go Deadmau5

I love this arrangement from Deadmau5 – Let Go

Instead of starting with the usual 4/4 kick, he starts with a very simple pad that evolves with the vocal already on it…

First part:

  • Great synth pad
  • Vocal on top while pad moves a bit

Second Part:

  • Kick 4/4 and heavy techno with leads
  • Vocal on top

Tips on how to create a catchy jingle – ident for TV or Radio Or Commercial

A jingle must be catchy, a simple tune and most of all memorable.

  1. Attract audience instead of convince audience
  2. 30 second long max
  3. Major pentatonic key
  4. Repetition of melody
  5. Create a simple tune that is simple to sing and rememberable
  6. Tink about the values of the TV channel, radio station or commercial: fun, dark, heavy, young, children, adult.
  7. Add some FX in the background to create a visual idea

What kind of jingles exist?

  • DONUT: INTROmusic then BED where people talk and then a TAGLINE.
  • SHOTGUN: just the tagline / company name
  • PASTICHE: a song that sounds like another one but not fully to not break copyrights.
  • Can be MUSICAL as well as LYRICAL
  • EXCEPTIONS that do not follow a rule. –> for example very bad or a joke.

There is no rule. Jingles are music, they are art!


Reggae: Core Elements

From Spliceblog.

Brief History

Reggae is a genre of a popular music that originated out of Jamaica in the 1960s, made famous by artists such as Bob Marley, Peter Tosh and Jimmy Cliff. It grew out of traditional Jamaican musical styles such as Ska and was heavily associated to Rastafarianism – a religious movement that took root in Jamaica in the 1930s.  Since then, reggae has been a musical voice for Jamaicans to tell the world about their history, culture and struggles in a political system that had enslaved and marginalized plenty of Jamaicans. Till today, a lot of reggae music has lyrical content that touch on political and social-economic issues in Jamaica and around the world.

As reggae is so specific to Jamaica, it is worth exploring its musical characteristics and learn more about how we can incorporate them into our music projects. You may not want to compose or produce a whole reggae tune, but you may find that learning about a specific genre will be a great help in learning more about music and more specifically, grooves.

To ascertain how a musical style works, we would need to quantify them into a few categories. Some of them can be applied across multiple genres and some are a little more specific to reggae. For this week, we shall break down and analyze reggae by looking at its vocal style, tempo and meter, instrumentation, and harmonic and rhythmic content.

Breaking it down

1. Vocal Style: Since reggae originated from Jamaica, the Jamaican accent is evident in most reggae music. Lyrically, most reggae music comes from a deep sense of animosity and need for survival and to be fighters.

2. Tempo & Meter: A decent amount of reggae songs, if not all,  are written using the 4/4 meter with heavy emphasis on the back beat (more on that later). The average tempo of a reggae tune would range between 80 – 110 bpm, slightly slower than the usual commercial pop songs. Reason being is that reggae has a strong groove that would only make sense with slower tempos.

3. Instrumentation: Reggae music employs similar instrumentation as other pop tunes found here in America. The instruments that form the foundation of a reggae song would be drums, electric bass, electric guitar and keyboard. However, over the years, other instruments such as horns, brass and afro-cuban percussions have been introduced into reggae to spice the music up. It is worth noting that reggae music is bass heavy. Most reggae songs have the bass upfront in the mix with low subs that are meant to rock the dance floor.

4. Harmony:  The chord progressions of reggae songs are fairly straightforward. Most of the chords follow common progressions such as the I – V – vi – IV (in the key of C, it is C maj – G maj, A min – F maj) like in Bob Marley’s “No Woman No CryPeter Tosh made this two-chord progression of i – VII (in the key of  A minor, it is A min – G maj) in “Johnny B Goode pretty popular in many reggae hits.

5. Rhythm: Everything about reggae has to do with the rhythm. One can clearly differentiate a reggae tune against another genre by just identifying the rhythm patterns. Reggae incorporates plenty of off-beat rhythms. These are usually staccato beats played by a guitar or piano (sometimes both) on the off-beats (upbeats) of a measure. This gives most reggae music a “jumpy” feel. The “One Drop Rhythm” is another rhythm pattern noticeable in reggae. In application, it emphasizes the third beat while having no beat on the first. The bass guitar plays an important role in holding the rhythm down in reggae. Most reggae bass parts are just repeating riffs (melodic patterns) with frequent octave jumps. While the bass provides the weight and anchor, other instruments such as percussions and guitars to fill in the “holes” to create complex poly-rhythm patterns.

Replicating Rave Sound

Classic Rave Vocals

  • Begin with a rough vocal
  • Load it within a sampler
  • Pitch it up a few semitones
  • Use the time-stretchin feature of your sampler – called “warp” in Ableton Live for two or four bars.

Layered Rave Stab

  • Use Korg M1 or any synth with preset sounds
  • Layer a lot of sounds on each other:
    • Typical piano sound
    • Choir
    • Tubular bells
    • Strings
    • Pizzicato synth strings
    • Pizzicato sound
  • Put an LFO / envelope audio effect at the end and make the ADSR in a slow curve
  • Add a saturator, bit reducer (to 12 bit or so) to fake the sound of the 90s
  • Add a bit of hiss (vinyl), distortion, reverb or delay

Rave Bass Sound 1 – Prodigy

  • Use two square waves and detune them in opposing directions creating a harsh stab that sounds a bit like the Prodigy.
    • Use Analog instrumen in Ableton Live
  • Add bitcrushing and some reverb

Rave Bass Sound 2 – FM Synth

  • Simply use a sine wave to modulate the frequency of another via a short envelope.
    • Use Ableton Operator instrument
  • Add reverb and bit reduction to fake 90s sound

Building a Layered Rave Breakbeat

  • Take a breakbeat sample and put it in a sampler without time-stretching
  • Put a 4/4 bar in and drag a not over the whole loop
  • Now pitch up the note until you hear the breakbeat fit in the loop
  • Put saturator, bit reduction; EQ as per your need, distortion as you want
  • Put on a second layer a 909 drum kick or 808 and layer the kick and snare of the breakbeat or other sounds