My wife Shirine Irani just released her first song. She has been writing songs since 6 years old, but since last year we decided to invest in one of the songs and took a producer under the hood. The production and release of this song has been quite an interesting adventure into the world of commercial music production.
Tip to easily make a build-up sound for trance songs towards the breakdown.
- Use a cheesy synth sound.
- Put a long note for over 8 bars (or use a rhytmic synth sequence of short notes – preferably the same note).
- Automate pitch bend to go up from bar 1 to 8 over 2 octaves.
- Just before the end of 8th bar, bring the pitch bend completely down by more than 2 octaves.
- Put a high-pass filter that closes or opens from beginning to end.
- Add effecs to the sound as you like and automate where you believe this can build even more up. Like adding reverb or delay.
Put this product on the master track of your music and enjoy creating effects on the fly with your keyboard.
Gives you inspiration for build-ups or for live performance.
Website: The Finger by Native Instruments
- Use an analogue synthesiser and set the Oscillator wave to White Noise
- Put a Flanger effect and set a slow LFO on the flanger
- Put a Phaser effect and set a slow LFO on the Phase
- Optionally play with the frequencies on the effect or set an LFO on the virtual synth as well
Example in Ableton Live done with Operator – click on picture for zoom in.
Kraftwerk have influenced me a lot. Next to Jean-Michel Jarre, these guys opened my mind to the wonderful world of electronic music
Let’s fac it: the below track was made in 197 8!! It still sounds
Kraftwerk – Das Model
The members of this group were musical visionaries.
“Das Model” (spelling on album: “Das Modell“; English version title: “The Model“) is a song recorded by the electro-pop group Kraftwerk in 197 8; written by musicians Ralf Hütter and Karl Bartos, with artist Emil Schult collaborating on the lyrics. It is featured on the album, Die Mensch-Maschine; English version title: The Man-Machine. It is one of the band’s most accessible and melodic songs.
First released as a 7.5 single in Germany (B-side: “Neonlicht”), under its English translation the song was ev entually included on the B-side of the “Computer Love” single released in July 1981 , which
reached #36 in the UK charts. When radio DJs started playing the B-side, EMI re-issued the single in December 1981 – apparently against the band’s wishes – with “The Model” as the A-side. It reached #1 in February 1982 and spent a total of 21 weeks in the top 75 of the UK singles charts.
Modern power synth plug-ins can create thick, complex and evolving bass sounds.
See some tricks below performed in Ableton Live.
Growling Bass Using FM Synthesis
The Sytrus soft-synth of FL Studio – Imageline is used here as FM Synth.
- Set Operator 1 to Square wave and play with some of its attributes: e.g. set the Attack Fast
- Set Operator 2 to Sine wave with fast attack. You can play as well with its parameters.
- Now set the OUT volume of Operator 1 on and Set in the Matrix Operator 1 / Operator 2 on.
- Go to Main and set the unison mode to 8 voices for example. You can play here as well with some unison parameters.
- Go to Operator 3 and set its envelope to a short loop, acting like an LFO to give some aggressive modulation and extra rhythm. Click in Operator 3 on LFO and set speed dial up. Adapt to your liking.
- Open Operator 2 OUT Volume and set Operator 2 / Operator 3 in the matrix on.
- We will now route Operator 1 to a filter for a touch of bite. Drive it hard. Set Filter on Operator 1 fully Open + the Filters OUT volume.
- All other operators are routed in parallel to the Out as well.
- For solid weight, we high-pass our synth channel and layer a sub tone underneath from a second Sytrus.
- Izotope Ozone 5 then adds subtle width and grit to the original patch on the high-end via its multiband compressor, harmonic exciter and stereo imaging modules.
Resampling and Frequency Splitting
Why not sample some outboard bass synth sound and then apply your favourite plug-in effects on several frequencies.
- Sample for example a Bass sound from the E-MU Orbit Dance Planet. Sample one note (tip: use C as base note) and hold it for 1 bar.
- Record the audio of that 1 bar note into your DAW. I’m using Ableton Live.
- Import the audio file into your plug-in sampler. In Ableton Live this is very easy: just drag the audio into the sampler instrument and voila.
- Zoom in on the audio in the sampler and make sure your starting point of the sample is the beginning of the bass sound.
- The sound will now retrigger perfectly every time a key is pressed, and it’s modulation will change speed as we play notes up and down the keyboard.
- Apply portamento inside the sampler: i.e. Go to Pitch/Osc tab and select Portamento in the Glide field.
- Group the sampler into an Instrument Rack. Right click on the sampler and select Group.
- Copy the instrument in the rack and paste it again in the rack. Now we have two instances of the sampler.
- We will use these splitted instances to apply different effects on the low and high frequencies.
- Apply a low pass filter on the first instance for manipulating the higher frequencies. Use EQ Eight from Ableton Live.
- Apply a high pass filter on the second instance for manipulating the lower frequencies.
- Experiment on the higher frequencies with multiple effects like wideners such as AutoPan, modulation and spatial effects like reverb and delays. Below I used Distortion (Overdrive), Chorus and Reverb on the Higher Frequencies.
- I used an Amp and Distortion (Overdrive) on the lower frquency.